Wednesday, December 6, 2017



Geography of Skateboarding: Urban Adventurists Resisting Privatized Spaces

*A lot of necessary background info*

Skateboarding first emerged out of Southern California in the late 1950’s.  In their primitive beginning, skateboards had no official name – they were just wooden boxes affixed to roller blade wheels.  Of course, the sport has undergone tremendous evolution since then.  Originally, skateboards were only intended for simple cruising down sidewalks as their early designs were quite limited in capability.  However, as boards improved, their purpose shifted to produce an experience similar to surfing; skaters would carve around the contour of drained swimming pools as if they were catching a wave.  At this point in its history, the spaces in which skateboarding took place were mainly backyard pools in suburban neighborhoods.  
Then in the late 1970s, Stanford engineer George Powell and famed surfer/skateboarder Stacy Peralta founded the Powell-Peralta skateboarding company.  Powell-Peralta revolutionized the skateboarding industry and the culture at large.  The company assembled a skate team composed of extremely talented skaters that would go on to be known as the Bones Brigade.  These individuals were: Tony Hawk, Steve Caballero, Lance Mountain, Mike McGill, Tommy Guerrero, and Rodney Mullen - each of them have invented tricks that are still fundamental to every skateboarder’s catalog.  
At the same time, a young skater named Natas Kaupas was exploring new ways of utilizing the urban landscape of Santa Monica.  While his friends were skating vert (vertical) terrain like pools and half pipes Kaupas envisioned street terrain including railing, benches, stairs, and even fire hydrants as skateable obstacles.  The Bones Brigade, along with Kaupas, played a critical role in establishing the boundaries in which modern-day skateboarding take place.  Throughout the 80s and 90s, Powell-Peralta produced several ground-breaking skate films.  One of which features Kaupas, and is titled The Search for Animal Chin.  In the film, Kaupas and the Bones brigade set out on an adventure to find a fictional legendary skater named Animal Chin.  Their journey leads them to California, Nevada, and Hawaii, where they explore a myriad of urban locations that are conducive to skating.  Some examples include the hills of San Francisco and a concrete irrigation ditch in Hawaii.  At these locations, Natas Kaupas and the Bones Brigade redefined what could be done with a skateboard, and this galvanized a migration of skaters out of the backyard pools and into the streets.

*Okay, here’s where the element of resistance really comes into play*



                                                        Skaters kicked off private property 

As a result of these pioneers, contemporary skateboarders have flocked to urbanized spaces like plazas, college campuses, parking lots, and courtyards.  These skatable locations are referred to in skate culture as skate spots.  While the skaters enjoy these spaces, business owners and neighborhood residents often grow furious with their presence on the premise that they are either trespassing or loitering on private property.  Some locations put up signs that indicate ‘no skateboarding allowed,’ while other locations have a security guard or faculty member ask skaters to leave. Several locations including Ohio University have resorted to 'skate-stoppers,' which are small metal pegs that prevent skaters from accessing rails and ledges.


Ledge with skate-stoppers













 In many cases, skaters are reluctant to obey such demands, often landing themselves a fine or legal trouble.  However, this behavior cannot be written off as simple disobedience.  In many towns within the US and around the globe, people who enjoy skateboarding do not have access to public skateparks or any kind of space where they can skate without fear of legal prosecution.




With nowhere to go without being incriminated, the skateboarding community has demonstrated great resistance against the privatized, capitalist powers that be.  This resistance is observable in three big ways.  First, the mere act of resistance is heavily ingrained into skateboarding culture and lifestyle.  Just watch a recently released skate video.  I can almost guarantee it will feature a clip along the lines of a security guard attempting to impede on a skater jumping down a staircase, who is ultimately thwarted as the skater succeeds in clearing the stairs and rolls away scot free.  Not only is this imagery empowering against the construct of privatized space, but it looks cool too!
Second, skaters give new names to notorious skate spots, claiming the spaces as their own.  For example, the name '3rd and Army' was given to this walkway/pier overlooking the San Francisco Bay.


Third, Skateboarding icons Tony Hawk and Rob Dyrdek have both made tremendous contributions to resisting privatized spaces that condemn skaters.  The Tony Hawk Foundation has constructed skateparks in all 50 states of the US, including the skatepark here in Athens.  Without the diligent work of his foundation, many towns would have no spaces at all to accommodate skaters.  Additionally, Ohio Skateboarder Rob Dyrdek’s “Safe Spot Skate Spot” program has provided multiple skate plazas across Los Angeles County in which skaters can enjoy the obstacles of the street within a contained environment, away from police and private security.  These plazas are integrated into already existing public parks.


Promotional video for Dyrdek's Safe Spot Skate Spots:


A Case of Extreme Resistance: Skatetopia
Just a 30-minute drive from Athens, this self-governing 88-acre DIY skatepark rejects American cultural norms and embraces an identity of pure punk/counter culture-fueled chaos.  Lighting ramps on fire to causing cars to explode, this community of skaters is committed to the preservation of their space and the culture that exists within it.



Thanks for reading! :)






Insightful links:

Academic Study of the Geography of Skateboarding - https://hugeog.com/wp-content/uploads/2011/01/HGvol3no3-WEB12.pdf

More about the Bones Brigade members - https://bonesbrigade.com/cast/

About the Tony Hawk Foundation - https://tonyhawkfoundation.org/about/

The History of Street Skating https://www.youtube.com/watch?v=ccf0ENQBee0

2 comments:

  1. Evan, I really enjoyed your article. Thanks for all the background information, I never thought about skating history and I love that you included that in your post! I have always thought of skating as a type of resistance, but I guess that your post explains it much more in detail. I was also surprised to learn that there was a skatepark here, I think that is cool.
    Back home, in Ecuador, there are not many parks where people can skate and usually they have to take over public spaces and adapt to them. Just like you said. There is one park, near the financial center of Quito that has a place only for skating and biking. Youth always get together there over the weekends and they have also claimed the space by using graffiti. Recently the park went through a rehabilitation and they renewed the park and the skating rink too. The city government hired a French company that specializes in design of this kind of facilities to design the skatepark, which I found really cool. Especially in a place where the skaters stigmatized I think that is important that the city government gives them space and a good design.

    Here are some links to videos of this space, before and after the renovation: https://www.youtube.com/watch?v=pCmkhJxGono
    https://www.youtube.com/watch?v=uv1Dj41MT4c

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    Replies
    1. Evan, I really liked that you included background information! You brought up a lot of good points that we talked about in class about public space, property, and who does and doesn't belong within those spaces.

      Skateboarding has always had a badass label to it. As described in the last video as balls to the wall, basically the definition of punk.

      But, kids need a safe place to play and skateboard somewhere where they're not threatened by the community, like we saw with the angry old man, or getting into trouble with police. Just because you tell a kid that he's not allowed to skateboard in a somewhere doesn't mean he's going to stop. So, the community should be able to offer a safe place where children and adolescents can go to skateboard in the best interest of all parties.

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